Ferguson
 based this image on Cadair Idris (roughly translated "chair of Idris"),
 a mountain in Wales.  In Welsh mythology, Idris was a giant skilled in 
astronomy, poetry and philosophy who used the mountain as an armchair to
 gaze at the stars.  Looking down below and up above from that height 
would be inspirational indeed.  It reminds me of hiking trips where we 
used a topographical map, with all its squiggly lines, that showed the 
elevations of natural and man-made features.  But to look at such a map 
and to be on top of such a mountain would be two very different 
experiences.  The map might give me intellectual knowledge, but the 
mountaintop would connect all the dots mentally, physically, emotionally
 and spiritually.
From the Beasts of Albion, the "Crane:"
From the Beasts of Albion, the "Crane:"
At
 the pond I frequently visit, there are no cranes, but there are small 
blue and great blue herons.  I've almost overlooked them before, as they
 can stand still as a statue waiting for a fish or a frog to wander by. 
 It's no wonder these birds are associated with calm, poise, and 
patience.  In Gray's rendering, the bird holds a crane bag in one foot -
 a pouch modern-day druids use to store and carry their spiritual 
objects.  This symbol implies that the spiritual resides in me, 
and if I want to make that connection (or ascend the mountain above), 
I'm going to have to learn to be still, quiet and composed no matter 
what's going on around me.
 
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